Forgive me, please excuse...
I've been posting tonight, and failed to mention any news!
As of today, I've been accepted to both MCAD and Ringling!
Pretty cool...
and btw, the portfolio posted on here is the one that was sent to both colleges.
..for anyone curious.
...of what an accepted Ringling portfolio looked like.
..ya...
Laters!
Thursday, February 26, 2009
Wednesday, February 18, 2009
Tuesday, February 17, 2009
Madame Mirage

I didn't know WHERE exactly to post this, so I just put it on here, since it was art-related..
After reading Madame Mirage, a decent comic series by Paul Dini and Kenneth Rocafort, I couldn't help but imagine it as a feature film. After all, it's what all the cool kids are doing these days.
Indisputably, Jessica Biel would play Madame Mirage/Angela. Curvaceous, sexy, "impossibly endowed", and simply classic-looking, Jessica Biel has no equal in her likeness to Madame Mirage.
Rebecca Romijn Stamos is the best option for Harper, Mirage's controller and... sidekick? Stamos has done well in supporting roles before, like X-Men's Mystique, and also bears a surprising likeness to the character Harper.
Tuesday, February 10, 2009
New thingy
PORTFOLIO
Official college portfolio for college applications.
All work is from this school year.
MCAD: Enjoy!
IN CLASS WORK:
Contour line still-life.
Pencil, 2-3 hours.
Contour line still-life.
Pencil, 2-3 hours.
Contour line object study. My first time using ink.
Ink (no under-drawing), 30 minutes.
Line-only portrait.
Pencil, 40 minutes.
Charcoal portrait.
Charcoal, 80 minutes.
Object study.
Charcoal and chalk on toned paper, 2 hours.
Still-life.
Charcoal and chalk on toned paper, 2 hours.
Still-life.
Charcoal and tempera on toned paper, 2 hours.
Still-life. I began to experiment with using ink washes with the pen, to variate line weight.
Ink and ink wash, 3 hours.
Still-life. I continued to experiment with the ink wash and pen.
Ink, 3 hours.
Color-scale illustration.
Tempera and ink, 5-6 hours.
OUT OF CLASS WORK:
Barmaid.
Pencil and ink, under 2 hours.
Strange Girl #1. Part of a series of seductive yet strange women.
Pencil, ink, colored pencil, and sharpie, under 3 hours.
Strange Girl #2. Another woman in the series.
Pencil, ink, colored pencil, and sharpie, 2 hours.
Strange Girl #3. Another woman in the series.
Pencil, ink, colored pencil, and sharpie, 2-3 hours.
Strange Girl #4. Another woman in the series.
Pencil, ink, colored pencil, and sharpie, 3 hours.
All work is from this school year.
MCAD: Enjoy!
IN CLASS WORK:
Contour line still-life.
Pencil, 2-3 hours.

Contour line still-life.
Pencil, 2-3 hours.

Contour line object study. My first time using ink.
Ink (no under-drawing), 30 minutes.

Line-only portrait.
Pencil, 40 minutes.

Charcoal portrait.
Charcoal, 80 minutes.

Object study.
Charcoal and chalk on toned paper, 2 hours.

Still-life.
Charcoal and chalk on toned paper, 2 hours.

Still-life.
Charcoal and tempera on toned paper, 2 hours.

Still-life. I began to experiment with using ink washes with the pen, to variate line weight.
Ink and ink wash, 3 hours.

Still-life. I continued to experiment with the ink wash and pen.
Ink, 3 hours.

Color-scale illustration.
Tempera and ink, 5-6 hours.

OUT OF CLASS WORK:
Barmaid.
Pencil and ink, under 2 hours.

Strange Girl #1. Part of a series of seductive yet strange women.
Pencil, ink, colored pencil, and sharpie, under 3 hours.

Strange Girl #2. Another woman in the series.
Pencil, ink, colored pencil, and sharpie, 2 hours.

Strange Girl #3. Another woman in the series.
Pencil, ink, colored pencil, and sharpie, 2-3 hours.

Strange Girl #4. Another woman in the series.
Pencil, ink, colored pencil, and sharpie, 3 hours.
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